Works

Solo –

. Ephemeris – for solo piano (2012) – 4’

. A Monologue in Five Short Sections – for solo bass clarinet (2013) – 3’

. Scorched Songs – for solo bass clarinet (2016) – 8’

. Medicine of Fire – for tenor saxophone, electronics and optional visuals (2015) – 8’

. Sheehan Sequence – for solo bass guitar (2017) – 7’

Chamber/ensemble –

. Interjections – for saxophone quartet (2012) – 6’ (also transcribed for string quartet, 2013)

. Screamin’ Blue – for chamber ensemble of 6 players (2017) – 5’

. Facing Suddenly the Other Ocean – for 3 voices, strings and 2 obligato horns (2019) – 5-6’

Larger ensemble/orchestra –

. Mantle – for orchestra (2016) – 4’

Vocal (with & without accompaniment) –

. Crimson Verse – for baritone and piano (2016) – 4’

. …and wisdom comes quietly – for mezzo-soprano, amplified prepared classical guitar and percussion (2016) – 6’

. Autumnal – for soprano, electronics and optional strings – 5’

. Man’yōshū Setting – for solo bass voice (with optional piano and MIDI keyboard) (2018) – 4’

. Autumnal – (version for) soprano and piano (2018) – 4’

Choral –

. Night Sky Partials – for SATB acapella choir (2017) – 3’

. Ascension – for SATB chorus and chamber ensemble of 6 players (2019) – 8’

Variable forces –

. Retorta – for any solo instrument and electronics or flexible ensemble (2014) – variable duration

Multimedia and Theatre –

. After the Silence (overture and underscore) – for viola and electronics (2016) – 40’

. Wentworth Cantata – installation for bass voice and prepared bass guitar (2016) – 15’